Maximum dimensions for carry on baggage is 56cm x 36cm x 23cm for Airbus flights and 56cm x 35cm x 20cm for ATR flights.
Plywood has been formed into boxes for holding and presenting clothing in a dedicated dressing area as well as a headboard and side tables in the separate bedroom.
‘We developed a special floor made of cobogó brick filled with concrete; a fully experimental work that resulted in a beautiful pattern,’ explains Humberto. ‘We employed sisal fiber as a natural background that complements the strong graphic effect created by the cobogó brick.
“The apartment has a nice view and it’s located near by shops and restaurants. It has air conditioning in the bedroom and tv room/kitchen.â€
A rooftop terrace is accessible from the work areas, and is also lush with plantings. According to YTA, the thick roof construction also helps insulate the living and dining room below.
The brickwork extends through the internal courtyard, including a specially developed floor of cobogó bricks filled with concrete
YTA used colourful elements such as bright cabinets, natural wooden furniture, and reclaimed pieces to enliven the interiors.
Every passenger on Cebgo flights is entitled to one carry-on or cabin baggage, with a maximum weight of 7kg.
The bathroom is accessed from the closet space via a sliding mirrored door, while the toilet is housed in its own room behind the cobogó partition.
titled 'swimming in it', the short video shows the swimmers' hands and feet becoming caught among the plastic bottles and bags.
In both the back living room, which on one side opens to a large front garden and on the other to a patio of trees, and the bedrooms, the inner ambients are shaded by wooden mashrabiyas that make possible good ventilation with internal shading. The panels can open entirely as can the floor-to-ceiling sliding glass doors, diluting, in this way, the transition between internal and external space.
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Often used in buildings across Brazil as ventilation bricks, these blocks were originally created in the country in the 1930s and became known for their use by architects including Lúcio Costa and Oscar Niemeyer.
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The effect is multiplied throughout the ambient, making a construction from the light itself. Throughout the descubra days, throughout the months, the hollowed-out elements take on different forms with the incidence of the sun; at night, this effect once again is transformed; in a continuous process of metamorphosis, its form changes from the light.